Today’s post honors Phillip Gibbs and James Green, killed shortly after midnight on May 15, 1970 by police at Jackson State College in Mississippi.  On May 4 of that year, Allison Krause, Jeffrey Miller, Sandra Scheuer, and William Schroeder were killed by the Ohio National Guard at Kent State University.

This post will also be the Memorial Day essay for Discover the Region, where some of my writings will now be published.

Like all language, organized information persuades.  It “directs our thinking,” as biologist Stephen Jay Gould wrote about classification.  Information arrangement shapes perception and interaction.  Names on memorials are examples of organized information where arrangement defines a visitor’s experience.  The thoughtful chronology of the Vietnam Veterans Memorial builds a space for individual remembrance.  A World War I memorial does the same, but with a different arrangement strategy, reflecting the difference in the two wars.  In contrast, the random arrangement proposed for the World Trade Center memorial almost derailed the project.  Yet, in another context, random builds community at the Memorial Temples of Burning Man.

By listing names on the Vietnam Veterans Memorial (VVM) in chronological order, designer Maya Lin gave surviving Vietnam Vets personal spaces for contemplation, spaces that make the VVM our most powerful memorial.  Names are arranged by date of casualty, not date of death.  Those who died later of wounds received in battle are listed on the day of the battle along with their buddies who died that day or went missing.  When a surviving soldier visits the VVM, he need only remember one name to look up in the index.  He finds the panel and sees the names of his friends who died in a battle he fought.  They remain together where he can visit them and remember his own experience.

Architect EdwinLutyens influenced Lin with his World War I Memorial to the Missing of the Somme.  This open structure of 16 huge columns, with intersecting arches and a truncated tower in Thiepval, France lists more than 72,000 names on its huge columns, names of British soldiers missing from a single battle.  Like the VVM, the memorial gives survivors an individual place of remembrance, but the two use different arrangements to achieve the same goal.  The VVM honors over 58,000 dead or missing during a 20 year war.  The Somme memorial lists those missing from a five month battle, most from a one day massacre when British troops surged into waiting German lines.

In World War I, Britain recruited Pals Battalions.  Men who signed up together could serve the entire war with their buddies.  Cities and towns mustered their own fighting units, sending them off to France with names like the Sheffield City Battalion.  On July 1, 1916, many of these towns lost nearly a generation of young men.

The names on the Somme memorial are arranged by British Army Order of Precedence.  That’s how military units appear on the parade ground.  These units came from individual towns, so the arrangement has the effect of organizing missing soldiers by their home towns.  Even today, with only a few remaining World War I vets, relatives and neighbors have their own place of remembrance.

Michael Arad, designer of New York’s National September 11 Memorial, ignored individual places of remembrance when he selected random as the arrangement.  This would have dispersed names from each company all over the monument.  Instead of a personal place to remember fallen coworkers, survivors would have had to hike to see each name.  The arrangement infuriated surviving families and they eventually refused to contribute to the memorial fund.  At that point, the design committee reconsidered and offered “meaningful adjacencies.”  Families can now place their loved one’s name within a group or next to an individual.  Many names will appear with the companies they worked for, but they might also be with special friends.  In one case, a married couple who worked at different companies will now be forever together on the memorial.

The designers of the National September 11 Memorial paid dearly for an arrangement error, losing money, prestige and the community’s good will.  They went from simplistic random to perhaps the most complex arrangement on any memorial with individualized name placement and multiple types of groupings.  If the designers had originally selected an obvious arrangement, such as geographic by floor, survivors would have had their places of remembrance.  They would not have needed strong family associations to fight against the arrangement and ultimately to fight for a more detailed names design.

In the right context, however, even random can build private spaces of remembrance.  David Best did this at Nevada’s Burning Man art festivals.  His Memorial Temples in 2001, 2002, 2003, and 2004 reflect the Somme memorial as arched open structures, topped with a tower and filled with names.  Burners inscribe the names they want to remember anywhere on the memorial.  The effect is random, but each inscription describes a private remembrance.  For the week of the festival, Burners have a personal place to grieve, a place they have chosen.  When the Temple burns on Sunday, individual memories and the combined memories of all Burners float into the evening sky.

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Memorial Day honors those who died serving our country, but we may also visit a grandmother’s grave. Throughout the year, there are opportunities to keep her memory alive. One of the most distinctive is Burning Man, a festival for building and experiencing art in the desert, with or without clothing.

Each September, Burners transform a flat empty playa near Gerlach into Black Rock City, Nevada’s third largest urban environment. After a week it disappears with the mantra, “Leave No Trace.” Nothing on the playa reveals Black Rock City’s existence until the next year. Climaxing the festival, a giant wooden Man burns the Saturday night before Labor Day in a bacchanalian rite of dance, performance art, and flames.

I attended Burning Man for six years. I have also researched name arrangement on memorials, including the Memorial to the Missing of the Somme in Thiepval, France, designed by Edwin Lutyens. When I first saw a photo of the WWI Memorial, it reminded me of Burning Man. Thiepval was an influence on Maya Lin for her Vietnam Veterans Memorial. David Best may also have studied Lutyens before building the Temple of Tears, Temple of Joy and Temple of Honor.

The Thiepval Memorial is a truncated tower with sixteen piers supporting intersected arches that increase in size for a two-story effect. In the interior, these piers hold names of 72,000 primarily British missing soldiers. Best’s Temples also featured arches, towers, multiple stories, and interior names. Constructed of scraps from manufacturing 3D dinosaur puzzles, similar to cookie dough scraps, they were feathery shrines of light and memory.

Best’s first Temple at the 2000 Burning Man, Temple of the Mind, designed with Jack Haye, was a ramshackle building not reflecting Thiepval. But in 2001, Best and Haye got serious. Their Temple of Tears (or Temple of Memory) featured a truncated tower and two arches, one on top of the other, giving the appearance of two stories. Burners wrote memorial inscriptions inside. Sunday night it made a glorious blaze of memories and dinosaur templates.

In 2002, Best, with Haye, continued building upon his own work in addition to Lutyens. The Temple of Joy had the truncated tower, the multiple story effect, and interior names, but no arches. His Temple of Honor in 2003 brought the arches back, retaining the two-story idea, with an elongated tower. Temple of Stars, Best’s final Temple in 2004, reflected only his own work, with a single story, tall tower and no arches. As always, Burners inscribed their memories into the interior. Mark Grieve designed the Temples of Dreams in 2005 and the Temple of Hope in 2006 without reference to Lutyens.

The Thiepval Memorial organizes names of the missing by regiments, rank and alphabetical order. Because British fighting units mustered into the Pals Battalions of their towns and neighborhoods, the Memorial keeps friends and relatives together. At Burning Man, the names are random, an ill advised organizational structure for memorials. Michael Arad, designer of the proposed World Trade Center Memorial, tried random. When surviving families vilified the suggestion as insulting, he reluctantly changed his easy-way-out random to a display that honors victims as friends and co-workers.

But random at Burning Man is only an appearance. Burners each carefully select a place on the Temple for their memories. They choose that place for a reason. Perhaps it reminds them of their loved ones; perhaps it’s easy to get to or a challenge to reach. Each memory remains in its sacred space until the burn on Sunday night.

Some say the Temple is a superior burn to the Man. After all, the Man always looks the same, but the Temple changes each year. The burning of the Man is an invitation to party. The Temple burn glows with memories and the reverence is real, regardless of what Burners wear or do not wear.

This year the Man is green, an obvious 2007 theme for a festival that leaves no trace. Check it out. You don’t need clothes, although costumes are a big part of the experience. Bring a tent, a shade structure, and lots of sunscreen and water. Bring those who now live only in your heart. When the Temple burns, it will carry your love into the sky.

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